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Anyone who has been in Rome will be able to say with certainty that it is a culturally polychrome composed of multiple and multifaceted reality that sometimes intersect, sometimes are omitted. This aspect also involves the art world, where the archaeological sector, modern art, museums and contemporary oscars knoxville composing a boundless landscape, lively and undoubtedly heterogeneous.
Among the most interesting that the sector offers oscars knoxville contemporary in Rome, there is no doubt the foreign academies, designed to welcome and support artists, scholars and writers who came to Italy to study archeology, art, history or classical languages, and today host fellows for all the humanities.
To anyone who has crossed the threshold of one of the many foreign academies in Rome will ever experience the strange sensation of being catapulted into another world, where the nuances that differentiate cultures in a globalized world is becoming more evident as the current one, showing new possibilities of understanding and revelation. And it is precisely in the combination of contrast-contamination between cultures, that the relationship between the foreign academies and the city of Rome is realized.
Entering the British School at Rome, however, is not sure how to visit the pavilion of Britain's 55 International Art Exhibition in Venice - where the artist Jeremy Deller has set up a sort of mythical pavilion that brings together all the elements that you is used to define Britishness, the essence of what is, or is deemed oscars knoxville to be, specifically English.
Founded in 1901, the British School at Rome is an important center for historical research and archaeological, and art and contemporary architecture, oscars knoxville which offers an annual program of events, conferences, workshops oscars knoxville and seminars, a program of publications, and a full calendar of residences. Every year, in fact, the BSR welcomes scholars and artists from the UK and the Commonwealth (such as Australia and Quebec), oscars knoxville selected at national level for the quality of their work. The main objective of the programs Fine Arts and Humanities is to support and promote intellectual exchange between artists, architects and Italian scholars and residents of foreign academies, "in a pluralistic perspective, without privileging a certain current or type of practice" , as pointed out by the head of the Fine Arts program, Jacopo Benci.
During the year the Fine Arts program offers three shows, during which the resident artists are invited to exhibit their work. The choice of works to be exhibited and be fitted out as it is at the discretion of the group of artists, which, in addition to being in line with the figure of the artist / curator widespread in Anglo-Saxon countries, allows you to create a real working group and to stimulate a critical dialogue among residents. The results of this mix are of course always different, and each show becomes a kind of new big bang, especially for artists, winning grants lasting one year, have the opportunity to participate in all exhibition events.
A few months ago we had the opportunity to interview three local residents of Fine Arts program 2012-2013, Todd Fuller, John Di Stefano, Zed Nelson, and what has emerged from their words is an interesting and detailed panorama that shows different when it can be the experience of residence within the same context. Todd, John and Zed have also told of the research oscars knoxville conducted in the months of residence and the paths that led them to carry out the works presented at the exhibition Please Be Quiet, held between 14 and 22 June 2013, in the exhibition spaces of the BSR.
Also this year the British School at Rome has the opportunity to present in the city of Rome a very interesting group of artists, whose research trace a path to the future oscars knoxville and not only Anglo-Saxon oscars knoxville art.
In addition to Archie Franks (Sainsbury Scholar in Painting and Sculpture October 2013 - September 2014), a painter who is at the center of their work searching for a non-linear narrative, and Danièle Genadry (Abbey Scholar in Painting, October 2013 - June 2014), whose research has largely focused on how the memory, migration and movement to influence the perception.
Four guest artists of the British School in the quarter October-December 2013: Ann Marie James (Derek Hill Foundation Scholar 2013) that ranging from painting to drawing, sculpture, photography, quote makes a key element through which the elements of his work can recon
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