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"For the person who THINKS head with His life is a comedy, for Those who Think with Their feelings, or work through Their feelings, life is a tragedy." (Henry Miller) It seems that just going multisite mid life and pursued a vision of a dead probably more closely, Mr. Allen gives up comedy became his trademark, moving (or involuând, according to many) to a register much darker. At least that's his intention. The problem occurs inception oscars when humor is not led out gives little head in the most tense moments. It may seem a strange statement if we think that one of the main things that generally is accused film is precisely inception oscars the lack of humor. But is this a form of racism resulting, paradoxically, in too much "political correctness" (do not laugh at serious things) in that it overlooked just because humor is ... black. And what better place than in the motherland of the place - that is England. The story is simple. Two brothers honest, courteous, relatively normal, are at the request of a wealthy and influential uncle, criminals improvise. After the murder, the two are opposite reactions and somewhat surprising: Ian (McGregor) the good and clever stay cool and enjoy the reward of his uncle, while Terry (Farrell), at which his mother tells him that he has little inception oscars conscience and losing a fortune gambling is contrite. Hence the tragic end. Obviously a fan of ancient tragedy, director / writer not saving hints homage to the works of the ancient Greeks. From the name of the boat that gives the film's title, a theme recurring dream almost annoying (Terry has nightmares, boys father dreams his sons, the two have the impression that they live and work like a dream) and even up to a discussion of Medea and Clytemnestra, it seems that trying to emphasize (and hold) the fact that we are dealing with a tragedy in its own right. The comedy arises precisely from this overbidding. It's too tragic inception oscars (sic). Music (Philip Glass) goes in the same direction bleak, inception oscars so bleak, in fact, that the gap between it and the action is and a source of laughable. But the icing on the cake is Colin Farrell in a sensitive and unusual role (perhaps as unusual) played extremely well. Terry is a mechanic with a belly full of vices, easy to handle and easy silly, agitated and frightened behavior inception oscars of a child forced to do something he knows is wrong. After Ian practically for both the decision to make Uncle please, will preparation, step by step, "perfect crime". But the amateurish criminals wannabes, plus cynicism and angst one another, results in a hilarious mix, which delayed success. Once an agreement in achieving crime have established and how. While January rattle relaxed about stabbing, strangulation and ironing away, disgusted Terry shuddered as physical violence and proposes wooden guns not only impossible to detect, but which allow keeping away. Spacing is actually what brothers are trying to get from the start. I want to know the future victim, fearing a revolt of conscience. inception oscars But nothing goes as they would like. In a humorous scene superbly dead "soon to be" appears unexpectedly at a party near a Terry remained literally open-mouthed, and start candidly discussing poker. The irony does not end there: the same Martin Burns (victim - Philip Davies) refers to a mother of 91, he plans to visit, because, at her age, "I know when you go 'before make a joke about the longevity inception oscars gene and a glass bow "for life". Old man whose heart will be broken appears several times afterwards, as a prick who loses by repetition of force. The end is suddenly and triumphantly. Terry wants to surrender, so Ian, rushed evil uncle, flirting with the idea of killing. Realizing that not yet reached such a level of machiavellianism, but gives up fratricide, angry, inception oscars starts a brawl, after which Terry unwittingly kills and then commits suicide. It's like a last flip over nose spectator