29. Festroia Day Official Section 6 - 8 BALL: Title: 8-Pallo Director: Aku Louhimies Year: 2013 The Finnish brits 2011 Aku Louhimes is a habitué of competition Festroia and, with a new film in the bag, it was inevitable their presence in this issue Setubal film festival. 8 is a kind of social thriller mixed police, with his usual Nordic accurately dissect each other and to leave us freezing in the winter sun. A generic extremely well edited, we realized that Pike (Jessica Grabowsky) had an intense relationship with a whole tattooed kind involving drugs and probably other problems. So when 8 starts really do not astonished to find it out from prison after a sentence of eight months, with a child in her arms. As we know, the social system even works in Finland and therefore brits 2011 Pike will be entitled brits 2011 to an apartment and money for shopping while you try to find work. 8 is an attempt to Pike is reendireitar in life. Or, at least, is determined to do so. For that it has at hand a resolver problems soon know that sooner or later, will have to use: an 8 snooker ball inside a sock. This ball is also a metaphor between life and the game while decisive ball. Parallel to this, there is a subplot with a policeman with a troubled past and his new companion, traumatized after taking a stab of a drug addict, brits 2011 which will also involve in the case of Pike. This secondary story has difficulty in relating with the main plot and even gets to the end and leave a few loose ends. 8 is therefore a film something wobbly, brits 2011 which tends to fall more to the social drama, but Aku Louhimies always tries to pull more police side, closer to the thriller. The advantage of knowing shoot and edit things cause this is minimized and turn 8 in a friendly McBacon, but somehow inconsequential way. First Works - snackbar: Title: Snackbar Director: brits 2011 Meral Uslu Year: 2012 There is a Moroccan emigrated in Rotterdam, where he owns a snack bar where you practically joins entire local community Maghreb. Young people spend their days there, smoking, drinking, eating, smuggling and arranging other disrespect, either with rival gangs, either with local Dutch. There will trying to put water on the boil and solving some conflicts, but he himself can also experience problems before the film end up not control their problems with the game. Snackbar is a film with real characters, filmed without argument, a mixture of improvisation with intuition. The actors interpret to themselves, blurring the boundaries between documentary and fiction, with a contaminating the other and vice versa. We do not know what is real and what is feigned, because there are some inserts of personal interviews with the protagonists, as they open their hearts to the director, Meral Uslu. We remember the course of The Secret Of A Couscous, a masterpiece of a current trend of fictional documentaries. brits 2011 With this device we realize the difficulties these young people, Dutch by birth, but source Muslims, connected to a different culture and integration brits 2011 issues. Snackbar maybe a little abuse in the number of tragedies that will piling along the short length of the movie - suicide, fights, gambling, debt, drug ... - but they all serve to foster discussion about the social status of migrant minorities in Holland. SJSJSJ help to realize that integration is not compel foreigners to live according to certain agreed behavioral patterns as being the best way to live. Requires more time than that, better understand the contexts and have capacity for dialogue. Snackbar is therefore an excellent job of social brits 2011 inclusion and a beautiful cinematic exercise, a perfect McBacon.
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